Aristophanes, Frogs, 1028–1029 (Dindorf)

Aristophanes' Frogs and the Contest of Homer and Hesiod

Dionysus' unexpected decision at the end of the play is generally thought to reflect the notion that poets such as Aeschylus and Euripides had practical moral insight to offer their audiences and to promote an "Aeschylean" over a "Euripidean" approach to life. I argue, however, that this ending offers a curiously offbeat combination of aesthetic insight and intertextual playfulness that ultimat...

Aristophanes on Tragedy

Fifty years before Aristotle wrote his Poetics, Aristophanes had devoted two comedies, Thesmophoriazusae (411) and Frogs (405), to the subject of tragedy. In both plays the plot shows the education of the main character in the nature of tragedy. Euripides learns in Thesmophoriazusae that he must present noble and not base women in his dramas. His depiction of perverse women in the theatre had m...

The Ionian at Aristophanes

The Invention Of Secularity In Aristophanes

The last two plays of Aristophanes show a world that for the first time in the development of Western civilization can reasonably be called secular. The secularity of Ecclesiazusae and Plutus lies in their presenting human individuality as containing in its activity the various aspects of the life of the polis, more thoroughly than the gods who presided over them. The gods do not thereby vanish...

The Third Hypothesis of Aristophanes' Peace again